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But, the site also contains a blog and a news feed that displays relevant stories. The core content about what is net neutrality and other information like that is static.
The web page is a mixture of static and dynamic. There is no place to find when the group was formed, but according to a press release in the press section, it was created the week of April 24, 2006. The size and scope of the list is impressive. Save the Internet calls themselves a coalition with a massive list of non-profit organizations, blogs, small businesses and more. Their main goal is to spread awareness of what is happening with net neutrality and help you alert your local and state representatives. The thing is, an idea can be bought or sold. The internet has produced it handful of David and Goliath stories. I don't want to sound naive, but i think we will be seeing opensource prevail against its toughest components. It gives me faith, hope for the ideals of democratic technology.
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I don't actually ever see myself contributing to code directly, but I can see myself making suggestions.
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In some ways I look at open source software with an optimistic smirk. I downloaded it for the exact opposite reasons, it was free.
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I didn't download it for the some sort of altruistic cause or anything along those lines. I downloaded open office and still use it do this day. They all act as separate applications on my windows task bar.
A clutter of unfixed boxes filled the screen. after using abobe photoshop for years it was such a struggle. My first experience with truly trying to embrace the world of open code was when i downloaded gimp. Possibly create a separate website for the blog type posts all over the site. They should try to stray away from the archival form. Standardize the sites appearances and rework the navigation systems. I do suggest that both sites get a face lift. With the limited links to select on the nav bar it its much easier to actually find the destination. But the IRSM manages to make that extremely easy.
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The site acts as an archive and it is not easy to simply get the gist of what their mission is. It is to overwhelming to the average user and simple browser. At least compared to the most of the sites on the internet now. It would be a substantial help and definitely give the impression that the organizations are very legitimate. Both of the sites could bother to standardize, giving all of their pages the same background and similar looks. The site almost has too much information, somewhat strange that this is actually detrimental to the site. They should make categories and break down from there. But its side bar contains to much information.
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The NAWA site does look a little more professional and was done in PHP. I am using a extremely high resolution screen so it look cramped into the center and strange looking. Its main page was centered to the left while the NAWA's was not. Page is much simpler and appears to be easier to use and browse. Get all its variants from My Fonts, or snag complimentary versions from Dafont Free website.At the first look both sites are fairly unprofessional. If you’re a fan of Helvetica, then this typeface is not to be missed. The challenge was bringing the original shapes and spacing to life – but with the luxury of kerning. Thus, the project was more of a restoration task than a revival for digital use. Schwartz believed that much of Neue Haas’ original warmth was lost during all its alterations. The project was continued and eventually completed in 2010. It was supposedly for the redesign of The Guardian. In this case, Neue Haas – now more commonly called Helvetica – underwent more modifications.īy 2004, type designer Christian Schwartz was commissioned by Mark Porter to begin the revival of the ‘Helvetica’s original name’. Sometime in the 1980s, a rationalized, standardized version of the typeface was released to make way for the switch from metal to phototypesetting. These changes include making the matrices for the Regular and Bold equal in width, with the Bold style having a noticeably narrower proportion. This was to accommodate the lettering for Linotype’s hot metal linecasters. When Linotype AG got hold of Neue Haas, it was revised and became known as Linotype Helvetica. In a sense, they were the first sans serifs. Grotesque fonts, which came out during the 19th century, have low contrast, even widths, and an average slope. Fonts 5,805 Fonts Neue Haas Grotesk Then and Nowĭesigned by Max Miedinger from 1957 to 1958, Neue Haas Grotesk was the Swiss answer to British and German grotesques that were widely popular at that time.
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